Each player would get a grading out of 100 using the rating system explained above. The categories removed for containing troll posts are as follows (be aware there will be some overlap): PlayerĪfter removing troll posts the tier lists were composed. As such these 13 results were removed.įive entries for Thunder were removed enitrely due to all of the submissions being deemed "troll votes". It is clear that the 13 results under "OMG WTF OP!" do not match the bell curve created by the other categories. If the responses on either extreme failed to fit the bell curve, then they were removed.Īs an example from the previous survey, the following were the unedited results for Furion: Option It is expected that a histogram of the totals for each score should form a bell curve. These totals were then analysed in an effort to remove troll responses. A numerical value was given to each of the five rating options as follows: OptionĪ total of each score was created for each player. The following are the final totals of each: AttributeĪ simple scoring system was used to rate each individual player. The values that string the narratives together reflect hybridity and, an increasingly accessible, ‘imagined’ global football culture.Responses were collected from a survey for each attribute independently. These campaigns feature contrasting themes of inclusion and modernity, as well as universality. This study explores adidas and Nike advertising campaigns for the 20 FIFA World Cups, as well as the 20 FIFA Women’s World Cups, in order to derive subcultural values of passion, choice, skill, and individuality. Through patterned presentations these narrative sets reveal values that allow the audience to quickly evaluate unfamiliar teams and players. Advertising narratives revolving around football from 2002 through 2007 are vital to the commodification and distribution of the sport.
MARIEL SOCCER SPIRITS TIER LIST SERIES
As a structured series of values represented in story form, narratives of sport are rooted in shared meanings.
Themes of individual exhibition and personal choice contrast with sporting tradition these advertising concepts leap off the pages and screen, enamoring and educating audiences. Through careful expression of social and sport values these narratives reflect gender hierarchies, international sporting histories, and football custom. If sport is a universal language, advertising surrounding the FIFA World Cup in the twenty-first century speaks volumes. This analysis reveals the selective and strategic ways Scurry’s blackness and femininity were made to matter (and not matter) in order for a neoliberal, white, middle-class America to appear as an open, inclusive, and color-blind society while limiting Scurry to a precarious and restricted space within this American imaginary. national newspapers, and Nike advertise- ments to uncover and foreground decentered and obscured narratives. I use a critical and oppositional reading of major U.S. Situated in a particular historical neoliberal context characterized by postfeminist and postracial politics, Scurry’s mediated representation served to market this team to a global audience. Although US goalkeeper, Hope Solo, had guided the womens national soccer team. However, Scurry’s exceptional athletic feat was scarcely noted, as media outlets were more inclined to select images of Brandi Chastain’s emotional celebration.
women’s national team to win their second World Cup championship.
Briana Scurry’s world-class save in the penalty shootout of the 1999 Fédération Internationale de Football Association (FIFA) Women’s World Cup provided the opportunity for the U.S.
0 kommentar(er)
